Overcast Day at the coast

 

Overcast Day at the Coast

Acrylic 3" by 5"

This is another small seascape I painted after doing some detail work on a larger painting.  It's an imaginary scene but based on many years of exploring the Maine coast.  I find these quick sketches to be very freeing.  

I go through different phases of sketching.  A few years ago it was a deep exploration of pen and ink. Lately it's been small color sketches in watercolor and acrylic from imagination.  I keep being reminded of how each work informs future works.  While I was painting this small sketch I had a an unplanned trip.  I didn't do it consciously, but when I mixed the paints I flashed back to living over a garage in Westbrook, working on landscape painting with our new arrival (Ari) asleep in the living room.  

It was just one brushstroke but as the paint mixed on the canvas I was transported back nearly a quarter of a century.   This is also what I love about painting on location.  The intense focus and observation of nature, processing it and expressing it on canvas or paper that place/moment in time becomes part of you and you of it.   I urge you to give it a try!

Two Lights, Cape Elizabeth

Comprehensive Charcoal Drawing

Between the Rocks and Sea

Two Lights Cape Elizabeth

12" x 18"

Although I don't have  any single process for creating a painting, this subject has progressed in a fairly typical way of late.  Spending time on location is always motivating.  I make a number of quick notes and sketches on note cards in addition to simply spending some time walking a location and observing.  I've begun using note cards for these sketches as they fit into a travel kit very easily.

Pencil notes from direct observation 4" x 5"

I then review a number of sketches and decide which subject to elaborate.  See below.

Pencil Comp Sketch

8" x 11"

Years ago I had a happy accident when looking through some old sketches - they were on top of one another and at times created new and interesting compositions.  So I now will intentionally crop drawings to examine other possibilities.  When I'm on location, its still easy for me to get caught up in the scene and not seeing things from a perspective of composition.

                                       

When examining the two halves of the picture - I immediately settled on the right side of the composition as much stronger the whole composition as originally sketched.  The left side of the composition seemed much too static when viewed in this manner.

I plan to execute a number of paintings from this drawing including watercolor, acrylic, and oil.  I enjoy exploring different media as the unique qualities of each capture different elements of nature. 

Winter 4-6

Winter Paintings 4 - 6

These three paintings were not completed on location, but resulted directly from on location observations.  In each case, I went home after visiting a location and completed these drawings and paintings from memory.

Fort Williams and Moonlight, Ice, Androscoggin were competed very rapidly in one setting.  I didn't have my paints with me  at the time, but I wanted to capture my enthusiasm and the excitement of the moments as soon as possible. The bulk of the larger oil was completed in one sitting as well.

I enjoy working through the design process as well, but when producing a finished painting, I like to keep things as spontaneous as possible.  Painting on location helps me to "keep things fresh."

Charcoal on Paper - Fort Williams Winter
8" x 11"

Moonlight Ice Androscoggin
Watercolor 8"x12"
(First Prize, Watercolor 10th annual Joy of Art)

After the Storm - Oil Painting
24" x 36"

Winter Landscapes 1-3

I have a complicated relationship with winter. The older I get , the less I enjoy winter (shoveling and driving really).  Yet there is an undeniable beauty in winter with all its moods.  The morning shadows and the reflection of sunsets in the snow will steal your breath as sure as the frigid air will.

There is a crispness and clarity to the landscape unlike any other season.  The patterns of shadows on the snow and reflections on brooks and rivers   And the blue moonlight nights are truly magical.  I thought I'd completed a handful of winter scenes over the years but in going through my paintings recently to get ready for an exhibition, I found that I'd completed more than a dozen which I will post over the next few weeks while waiting for more fresh snow to paint.

Nor Easter Maine Coast
Charcoal on Tissue Paper

After the Ice Storm, Lisbon ME
Acrylic on Canvas

Watercolor - on location
Ammonoosic River