Crashing Surf and Boats in Harbor


Here is another watercolor painting in the portfolio's that I purchased by Elmer L. Ham. The sense of movement and color that he has captured here speaks to me of someone who spent a great deal of time painting on location and observing nature.  I have no evidence to prove that, only conjecture, a lifetime of observing the ocean and twenty plus years painting on location.

This painting is also freely and confidently painted.  The brushstrokes are visible and help define both form and movement without being overworked.

Today, Ham seems largely forgotten.   A quick review of sales records indicate that he seems to be most well known for his pastel still life drawings of flowers which reflect his training by noted Boston and Newburyport artist Laura Coombs Hills.  The watercolor above and paintings I'll share later show his talent and his interest in his surroundings. 

Here is the beginning of what I've been able to find out about Elmer L. Ham.

Early Years :  Portsmouth and Boston


Elmer L Ham was born in Portsmouth New Hampshire on June 18, 1884 to Robert and Sarah Ham.  He had an adventurous spirit as reflected in a September 15, 1897 article in the Portsmouth Herald.  This article recounts his unauthorized journey walking from Portsmouth NH, sleeping in a barn, and then eventually being discovered by the police “wandering around Market Square (Newburyport) late at night.”   Ham was 13 years old at the time of his first trip.  Elmer attended Portsmouth schools and by 1903 (age 19) he was working as a printer’s apprentice in his father’s print shop in Portsmouth New Hampshire.   (1903 City Directory of Portsmouth NH)

By his mid 20’s, Ham had relocated to Boston and was working in a sign painting shop.  According to the 1910 Federal Census Elmer was an Artist / Librarian for a sign painting and catalogue company.  A number of landscape paintings in watercolor and pastel reflect areas nearby his Allston apartment including the nearby Charles River, Harbor, and Boston Public Gardens.  Other identified paintings include the locales of Newton and New Bedford.  Boston City Directories have Ham listed as continuing to work as a commercial artist for sign companies throughout the late 1920’s.



Fishing Boats in Harbor
15" x 21"



Fishing Boats in Harbor - Winter  15.5" by 22"


These two paintings also speak to me of on location observation.  They are not your typical subjects, particularly the winter subject.  These are also both on large/ full sheets of watercolor paper.  Notice the white of the paper is used for effect in both of these sketches.

Tucked Away - Elmer L Ham

I was rummaging around the top floor of an antique store and I saw two black portfolios tucked in a back corner on top of a stack of chairs.  I made my way through the stacks of chairs and pulled the portfolios out to where I could open them up.

I figured there would be a few school sketches and some studies as each portfolio was quite thickly packed (each appprox 2" thick).   There were some studies of still lives, some partially completed watercolors, but things quickly turned even more interesting.

The Fenway, Boston
by Elmer L Ham (1884-1978)

Scores of boldly and confidently painted watercolor's, some signed by Elmer L. Ham, some not signed but clearly by the the same hand.  I've been researching the artist since this find and will share more paintings and information in future posts.

Many of these paintings I will keep, but others I will sell and attach his biography (as much as I can complete it) so that others may rediscover him too.




Mt. Washington and Ammonoosuc River



Had a wonderful three day stay at the Mt Washington House in Bretton Woods New Hampshire.  This pen and ink sketch was done from the conservatory.  I'd woken up early and gone downstairs and pretty much had the room to myself.  Eventually a few other people came into the room and then we had a surprise guest - a red squirrel.  

The patterns of snow and the beginnings of spring were striking.  Natural abstracts actually.  I went for a walk along the Amonoosuc River.  When the trail moved away the river, I went off trail, for about 20 feet.  I went from less than an inch of snow - up to my waist.  I retreated back to the safety of the trail and choose the view below.

I did a rough pencil sketch with a focus on composition and observational notes.  I did the on location watercolor sketch below for color notes and will work on subjects using these as reference. 





My favorite studio!  The great outdoors.


The painting above was the view looking upriver from this spot.