Elmer L Ham Watercolor 5" x 7" framed.
This is a fragment of an unfinished floral watercolor by Elmer L Ham. In addition to many finished paintings, the portfolios of paintings I purchased had many paintings in various stages of completion. There were many finished still lives, others that were clearly studies of floral still life in watercolor and pastels and still others that were started but not finished beyond the pencil sketch (outline really) and some areas of finish.
You can see the faint pencil indications in this sketch - which would be erased partially or completely in finished painting depending on the artists decision on whether the pencil added to or distracted from the desired effect.
I gave much consideration to the uncompleted still lives. Many studies were on full sheets of watercolor paper - too large to be displayed with so much unfinished and all unsigned. After studying the paintings intently, I decided to experiment and crop, mat, and frame some of the more finished pieces. The above painting is one example of those efforts.
I have to admit, still lives had not held much appeal to me - being far more interested in landscapes. But I'd never taken the opportunity to study so many up close. I've also been considering doing still lives of items of loved ones no longer with us. My parents, and my sister Cathy to name a few. I also found the process of considering different compositions from different paintings to be a very engaging activity.
Ham's teacher, Laura Coombs Hills, was and still is very well known for her still life floral paintings in both pastel and oils. She would summer in the town of her birth, Newburyport Mass, often picking flowers from her own garden and painting them. She would then move to her winter studio in Boston, Ma. When speaking with the curator of a recent retrospective of Hills, she stated that Hills did teach occasionally and only select students as she was actively painting, exhibiting, and selling through galleries. There are many other areas where Hills was a recognized expert but that is a subject for another time.
by Laura Coombs Hills
Laura Coombs Hills
How and when she met and decided to teach Ham I haven't been able to determine at this time. She definitely had an influence on him, as evidenced by his exhibition of a floral still life in the Annual Exhibition of New England painters at Jordan Marsh Galleries in Boston in 1946 and the many still life paintings in his portfolios.
Interestingly, I did find an old newspaper clipping, describing how a young teenage Elmer L Ham left his home in Portsmouth NH to "see the world" (without his parents knowledge). Ham slept overnight in a barn and was discovered the following night wandering around the Market Square in Newburyport. Maybe that spirit of adventure was remembered and noted by Hills - as the journey did make the papers. Ham's father collected him safely the following day, thanking the police for their kindness.
Throughout his life, Ham explored and painted along the Maine, NH, and Massachusetts coast as well as the California coast. Ham definitely captured the movement of water and the action of waves and mist - which only comes from long study and observation. His California seascapes capture a different atmosphere that I've never had the pleasure of visiting, but compared with other known California Artists, he's captured the West Coast as surely as he did the East Coast.
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