Mt. Washington and Ammonoosuc River



Had a wonderful three day stay at the Mt Washington House in Bretton Woods New Hampshire.  This pen and ink sketch was done from the conservatory.  I'd woken up early and gone downstairs and pretty much had the room to myself.  Eventually a few other people came into the room and then we had a surprise guest - a red squirrel.  

The patterns of snow and the beginnings of spring were striking.  Natural abstracts actually.  I went for a walk along the Amonoosuc River.  When the trail moved away the river, I went off trail, for about 20 feet.  I went from less than an inch of snow - up to my waist.  I retreated back to the safety of the trail and choose the view below.

I did a rough pencil sketch with a focus on composition and observational notes.  I did the on location watercolor sketch below for color notes and will work on subjects using these as reference. 





My favorite studio!  The great outdoors.


The painting above was the view looking upriver from this spot.



Eastport Cliffs



Eastport Cliffs

This drawing was inspired by the view from the outside deck of a restaurant in Eastport.  As I've mentioned before throughout this blog, my love of nature fuels my art, but often requires some adjustments to create a composition for a painting. 

This scene is calm, as the sea was calm.  Still, for me the calm the cliff with the tree creates a tension.  How many more storms will the tree last?  Will it grow too large for its roots to support or will the foundation of rock tumble into the sea taking the tree with it.

In this case while remaining true to the subject:

I've moved the house down the hill toward the cliffs and moved the houses chimney to reduce distraction.  

The islands in the distance did exist, but I've added a channel in between to add distance as a landmass across the picture would stop the eye from moving into the painting.

The cliffs existed, some of the patterns of of the rocks and shadows were altered for composition to lead the eye into the drawing.

The tree existed as well and drew me to the subject in the first place.  I've emphasized and enlarged the tree slightly.

In a conversation with another artist who was readying for a show of abstract art, but who often sketched from nature, we each discussed how our preferred style stretched our creativity.  It was very respectful conversation despite our very different perspectives.  While he saw value in sketching and drawing from life, his view was not to change anything, but to accurately record what was in front of him.  While he found abstract painting to be a far more of a creative exercise.  

For me, trying to capture a moment in time and to interpret nature in two dimensions is far from constraining.   Just the opposite actually.  I find that pulling and rearranging elements that I've experienced first hand into a new composition to be as rewarding as being able to capture those elusive moments in nature that too many of us regularly pass by without noticing. 

I will most likely do a variation of this subject during a storm with a tighter focus on the cliffs, tree, and house.  I've often visited the coast during storms.  I find the ocean to be mesmerizing in all its moods and colors.   This idea occurred to me while working on the cliffs.  Adding the water effects on the rocks during a storm will be an enjoyable stretch.





New Group Exhibition - River Arts Damriscotta


Time Together - Acrylic on Canvas
Aiden LaSalle
$325.00

The above canvas by Aiden LaSalle will be included in the juried group exhibition at River Arts opening Friday September 21 in Damriscotta.

Aiden has been painting for decades and has paintings in numerous private collections throughout New England.  It's rare for any of his paintings to get by his family and clients but at age 82 he thought he'd try something a little different and enter a juried competition.

Aiden comes from a family of artists.  His father, Edward LaSalle, was an illustrator in the 20's and 30's and he sold his paintings privately throughout the next five decades.  His Uncle, Charles LaSalle and his cousin Aiden Lassell Ripley were highly successful artists who won awards nationally and are still highly collectable artists to this day.   His mother, Vivian LaSalle was a fashion artist for Palmer's Department Store and a portraitist in pastels.

Aiden has also spent a lifetime in and around the woods, studying nature in all its moods, and that authenticity is embedded in all he creates.    

I currently have two other paintings by Aiden for sale.  If you are interested please email me at robert.kahler65@gmail.com


Waiting
Acrylic on Canvas
$300.00


Storm Warning
Acrylic on Canvas
$475.00

Congratulations again to Aiden!  I cannot thank him enough for mentoring me on my own artistic journey.


I also had one painting accepted for this exhibition as seen below.  It is a watercolor on paper.


Treetops / Woodcock