Low Tide Dennis Mass

Low Tide - Dennis Mass

This large charcoal was an elaboration of a quick on site sketch from last summer on Cape Cod.   I will likely do another sketch based on this but with high tide / storm surf.

With this drawing I experimented with applying charcoal and blending with a brush in parts.  There are so many different ways to blend charcoal and the effects of different types of charcoal are also so different.  This drawing was completed with both vine charcoal and compressed charcoal.  Compressed charcoal produces a very rich dark stroke.  For me, vine charcoal also can produce a wide variety of shades, but not as dark as compressed charcoal.

I prefer to use vine charcoal - its very thin and fragile, but I enjoy both the visual effects of the vine charcoal as well as the tactile feel of utilizing it.  It may sound kind of strange, but the vibrations of the charcoal over the tooth of the paper is as close to running your fingers directly over unmarked drawing paper as is possible.

If you are wondering, I utilized a paint brush for blending in the sky and in part in the mid ground.  The remainder of the painting I utilized both my finger as well as a kneaded eraser to blend and lift out highlights.

If you read the recent post on the Lone Pine, you would  turn 180 degrees to see either view (with a little artistic license) - the actual background of the lone pine would have been more dunes and no ocean.


https://robertkahlerlandscapepaintings.blogspot.com/2019/07/lone-pine-cape-cod.html

Lone Pine - Cape Cod

Lone Pine -Cape Cod  Acrylic 12" by 16"

(Doodle Bug)

Art is about discovery and the journey, for me at least.  Last week I went down to work on a subject for my next painting, and I ended up going in a completely different direction.  But that's a different story for a different day.  

This particular painting was done from studies completed on location last year as well as preliminary sketches done from those studies and blogged about previously.

I was captivated by the light and the dunes on the Cape.  The patterns of light on the dunes, the surf, as well as the shapes of the dunes themselves were such that one could paint them every day and have a different painting result every time.

With this painting I also really wanted to experiment a bit with the sky and even though the initial subject of interest to me was the pine, I actually came to enjoy working on the surf - a small but important part of this composition.  

To me, the pine had a story to tell.  How it it survived and thrived here when no others had?  It was bent and twisted by the elements, but it continued to grow and persevere.  It appeared to me to be cautiously looking over the dunes toward the horizon to what was coming next.  

As I completed the painting, I was overcome by a feeling of melancholy and I couldn't really identify why.  Then it hit me.  I'd actually completed a portrait of my buddy - Doodle Bug.

This was Doodle Bug's last trip with us.  She too was holding on so that we could get ready for her journey beyond the dunes.  She is missed every day.