This sketch is an elaboration of an on location watercolor completed in Scarborough Maine more than a decade ago. This is one example of why I do enjoy the challenges of studio work from on location paintings.
I hope to be able to take various elements that do exist (though not in this exact composition) in a place and bring them together into a scene that people feel as though they've been there. In this case, the ocen in the distance with a small peninsula and a barn on a sloping hill tucked amongst elm, spruce, and other hard and softwoods encroaching on what was, at one time, a working farm.
The trees existed, but for the purposes of the picture I reversed them. I'll do another color study as the original painting was done in the fall. The Ocean was not viewable in the acutal setting due to the heighth of the surrounding forest but it would have been where I've indicated it in the drawing.
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