-

This charcoal is an elaboration of an on location watercolor sketch of a farm in Bowdoin.  Haying has begun in the foreground.   One of the things that impresses me most about the farms in Maine is how farmers utilize nearly every inch of arable land, be it for Hay, Corn, or other crops.   Hay fields in various shapes and sizes are tucked away alongside roads as in this case.

I may well take the view of Mt Washington from Lisbon and add it to this scene in an alternate composition.

Comments

Post a Comment

Popular posts from this blog

Lone Pine - Cape Cod

-
Image
Lone Pine -Cape Cod  Acrylic 12" by 16" (Doodle Bug) Art is about discovery and the journey, for me at least.  Last week I went down to work on a subject for my next painting, and I ended up going in a completely different direction.  But that's a different story for a different day.   This particular painting was done from studies completed on location last year as well as preliminary sketches done from those studies and blogged about previously. I was captivated by the light and the dunes on the Cape.  The patterns of light on the dunes, the surf, as well as the shapes of the dunes themselves were such that one could paint them every day and have a different painting result every time. With this painting I also really wanted to experiment a bit with the sky and even though the initial subject of interest to me was the pine, I actually came to enjoy working on the surf - a small but important part of this composition.   To me, the pine had a
Read more

Study Ice Breaking - Androscoggin River parts B and C

-
Image
This large charcoal (18" by 24") was done to expand upon the small pen and ink sketch done from on location observations.  I added a few elements such as the additonal open water in the foreground.  The next step was the color compositional study below.                                    This compositional study (9"x 12") was a double experiment for me - one in terms of subject matter.  Had never attempted an ice dominated subject before - am quite excited about the possibilities.  It's a short season but one that, for me, demands more study. This was also an experiment in terms of ground for the painting.  I used a watercolor block for this.  I was pleasantly surprised at how even a lighter weight paper (in this case 140 lb paper) didn't buckle.  I'll definately continue to utilize watercolor blocks, particularly for on location paintings. I decided to leave the foreground as is for now - time will tell.  In some ways I like it bet
Read more